Today I will be talking about Lilo & Stitch based on the novel "Push" by Saphire. This could be the darkest setup ever for a Disney movie. "Hey, what if we make a movie about a little orphan girl in Hawaii who is clinically depressed, has ADHD and is constantly getting in fights with her older sister, who is trying to raise her. Oh, then her sister can get in trouble with social services, and they we'll have the little girl make friends with a disneyfied xenomorph, and they'll cause so much mayhem, her sister will lose her job and their house can blow up! The kids'll love it!"
Given the basic premise, it's amazing that this movie works so well. Mixing Sci-Fi with a high stakes domestic drama should be a disaster, but somehow, it works. The movie uses a strange sense of humor that blends everything together. When Lilo is attempting to punish her friends with voodoo dolls, it somehow makes sense that her best friend should be a genetically engineered creature of distruction.
The story of Lilo and her sister Nani is a very honest look at a broken family that has been through unimaginable tradgedy. You get to see two people trying to find a way to make things work while feeling crushed by the reality of their situation. It is in these moments of honesty that we get some of the best scenes in the movie.
As a total contrast, we get to see goofy alien creatures attempt to recapture the escaped Stitch. The fish our of water alien duo add a nice dash of silliness and also causes Stitch to stay with Lilo to evade capture. It works more often than not, but it is the weakest part of the film. In fact, apart from Stitch, most of the Alien characters are very generic and boring, thankfully we only see them in the prologue and at the end of the movie. One other charcter that needs to be recognized is Ving Rhames as the social worker, Cobra Bubbles. Ridiculous name aside, he doe a great job of not letting the social worker be a villain. He is actually looking out for the best interests of Lilo and Nani, and given the events of the movie, you can't really blame him for his actions.
The core of the movie revolves around the idea of 'Ohana. As we are told throughout the movie, 'Ohana, means family; and that no one gets left behind or forgotten. It is really a beautiful sentiment that the movie drives home. The central message is that families aren't always happy or perfect, but they should always stick together. As Stitch points out at the end of the movie, "This is my family. I Found it. It's little, and broken, but still good. Yeah, still good." It's a great message for Disney to send out, and one that is repeated over and over again in their films. It's what makes people love these movies so much. They always try to tell you that outsiders are valuable and as deserving of love as anyone else, and that a family can take many shapes. They maybe little and broken, but still good. Yeah, still good
8.5/10
Friday, November 30, 2012
Sunday, November 25, 2012
DMCP - Wreck-It Ralph
It's been awhile, so let's get right to it.
If you haven't seen Wreck-It Ralph yet, go. Right now. It's a great film and loaded with enough eye candy to give you a tooth ache.
The story is about the existential crisis that Ralph has after spending 30 years doing a job no one respects. What do you do when you provide a crucial service that makes everyone hate you? Ralph represents anyone who's ever felt that their job has kept them from gaining respect in their community. Garbagemen, customer service reps, census workers, tax collectors, etc. If you've held a job like this, you can understand Ralph's depression. To the other characters in his game, he is an untouchable, a worthless oaf. It is only when he leaves on a desparate mission to become a hero that the other characters see his value.
In one of the worlds Ralph travels to, we get to meet Vanelopee Von Schweetz, an outcast in her own game for being a glitch. Like Ralph, Everyone sees her as a mistake to be ignored or bullied. Ralph forms a friendship with Vanelopee and tries to help her prove her worth, and learns what it means to be a hero in the process.
Without getting into spoilers, the movie also does a nice job dealing with effects of letting yourself be consumed by jealousy over another's success. This Character goes to sadistic extremes to stay relevent, denying others their opportunity for success. It's quite the cautionary tale when you see just how much distruction and pain this jealousy causes.
But enough about the serious stuff. This movie is also gorgeous. The various game worlds are rendered beatifully, especially Sugar Rush. If you've never played a video game, or if you've been playing them your whole life, I defy you to come out of this movie not wishing this was a real game. This Candyland meets MarioKart world is the setting for the best action sequences and visual delights in the movie. In the words of Tina Fey, "I want to go to there."
For Video game fans, we get to see games treated with respect. So often, video games are portrayed as little more than toys for kids and losers. In Wreck-It Ralph, you instead get to see games as exciting, immersive worlds worth spending time in. The movie celebrates the history of games with cameos of characters we've known for over 30 years. Older gamers will recognize the characters they grew up with, while younger gamers will recognize some of these characters as the corporate mascots they have become.
Kudos goes to John C. Reily as Ralph and Sarah Silverman as Vanelopee. They have created fully demensional characters that you can't help but fall in love with. I also want to give props to Alan Tudyk (Wash from Firefly!) for doing an amazing homage to Ed Wynn as the crazy ruler of the Surgar Rush kingdom. It's awesome.
So go see Wreck-It Ralph.
9/10
Thursday, November 8, 2012
Big Trouble in Little China - John Carpenter's Masterpiece
So, those of you who've known me for awhile may be aware that Big Trouble in Little China is one of my favorite movies of all time. I've probably seen it over 50 times easily, and I don't understand why this isn't the John Carpenter movie everyone talks about instead of Halloween. It's brilliant. Allow me to Explain.
1. Best portrayals of Asian- Americans in 80's cinema? - In the same decade that Sixteen Candles gave us Long Duck Dong, John Carpenter gave us a movie that, while certainly having fun with Chinese Mythology, also gives us a much better view of Asians than we'd previously seen. Yes, there's chinese magic and Kung Fu. The film is very clearly aiming for B-movie siliness (The director's commentary with John Carpenter and Kurt Russell confirms this)but, within that context we get Characters like Uncle Chu and Eddie. They both work at Wang Chi's Restaurant, and niether of them knows kung fu or magic. Eddie is an everyman. He's easy going, shy around the ladies, and is the kind of guy you'd love to be friends with. Uncle Chu is a grandfatherly type who knows the old chinese legends the same way any other elderly relative might know the folk stories of their culture.
The movie also has a lot of fun directly challenging stereotypes. Most of the Asian Actors speak perfect English, know how to drive, and are sexual beings. Egg Shen is a very capable bus driver (he successfully dodges the Pork Chop Express as it barrels at him going the wrong way on a one way street). The movie's plot revolves around Wang Chi's quest to rescue his fiancee. Wang Chi (Dennis Dun) is the hero and romantic lead of the story. He's the one who gets the girl in the end, and gets to make out with her. Quick, How many American movies can you name where the hero is an Asian Male who wins the love of his girl and they get to kiss at the end and live happily ever after? I can't think of any.
2. Kurt Russell's Jack Burton - This is my Favorite Kurt Russell performance of all time. He is the Star of the movie, but not the hero. He is setup in the prologue scene with Victor Wong to be a great man, then we quickly cut to a dirty truck driver, sloppily eating a sandwich as he pontificates about his greatness over his CB radio. This is 1986, the time of Rambo and Schwarzenegger and Indiana Jones. Jack Burton is a schlub. He's dirty, gross, rude, and has the casual arrogance and racism of an 80's All-American male. He fails to do a single thing right in the whole movie until the very end. And even then, his lone act of competence was "all in the reflexes." Jack's presence in the film serves at every turn to elevate the dignity and reality of the other Characters. His failures serve to contrast the lives the Asian Characters. Uncle Chu is a Chef, Eddie is a Matre D', Wang owns his own restaurant, and Egg Shen is a bus driver who also happens to own a whole block of real estate in San Francisco's China Town. These are very successful people, living out the American dream, and Jack Burton is just along for the ride. The humor in the movie is in his failure to understand that he is not in control. He assumes he should know what's going on. He's a white male in America. How could he be out of his depth? But he is. His one positive trait is his loyalty to his friend Wang Chi. When he's not trying deal with the magic and silliness of the movie, Jack treats Wang as his equal, and the movie doesn't draw attention to it. They are friends, they respect each other, and not much is said about it. It's the casualness of this friendship that really stands out when you look at other buddy friendships involving asian characters. Usually, the American (Chris Tucker, Owen Wilson, or whoever else is playing oposite Jackie Chan) has to grow to respect the Asian Character throughout the course of the film, and the Asian actor (usually Jackie Chan) is playing a variation on the noble savage stereotype. Not so here, Wang is already a successful, charming American bussiness owner when we meet him, and Jack is his sidekick. Wang likes Jack for his boistrous, outspoken nature, and Jack admires Wang's success. The race of the characters only matter because of the plot.
3. The plot. This movie is a great example of building a crazy story from the simplest beginning. Jack drives into Chinatown to make a delivery and stays for a night of gambling. Wang Chi, nervous about picking his fiancee up at the airport, joins the party. In the morning, Jack has won big and Wang wants to make a double or nothing bet and loses. Jack, ever the classy guy, gives wang a lift to the airport so he can make sure he gets his money. Then there's a kidnapping, kung fu battles, magic, mystical warriors, ghosts, monsters, and a young Kim Catrall. It goes to so many crazy places, but always maintains a sense of fun. I can't understand watching this movie without a smile on your face. The fights are awesomely staged and shot. (James Lew, the fight choreographer, would go on to work with pretty much every martial arts star ever) The alley way stand off between the Wing Kong and Chang Sings followed by the Arrival of the Three Storms is still one of my favorite actions scenes. It's a combination of martial arts and back alley brawling, all shot in a way that you can clearly follow the action, and the Three Storms have my vote for best villain entrance. I'd try to describe it, but it sounds way less cool in print.
4. Cast and Characters - First of all, this cast is amazing. If you love action movies, especially martial arts movies, you will spend about every five minutes going, "Hey, it's that guy! From that thing!" It's a who's who of Asian Character actors, stunt men and choreographers. James Hong, Victor Wong, James Lew, Donald Li, Chao Li Chi, Al Leoung, and many others. James Hong in particular gives an inspired performance as the villain Lo Pan. Hong effortlessly shifts from creepy to crazy to funny all while maintaining the integrety of the character. His fight with Egg Shen is the most WTF moment in the film, in a good way. It's just Awesome.
5. WTF? Lastly, this movie is filled with WTF moments that showcase just how much fun the movie is. Eyeball Monsters, Videogame battles, exploding men, and Kate Burton delivering my favorite line of ridiculous exposition ever with a straight face. "You mean THE David Lo Pan, the chairman of the national orient bank and the owner of the Wing Cong import export trading company? But who's so reclusive, that nobody's even laid eyes on the guy in years?!" Yes, that David Lo Pan.
Thanks for reading. Now I have room in my brain for a new post.
1. Best portrayals of Asian- Americans in 80's cinema? - In the same decade that Sixteen Candles gave us Long Duck Dong, John Carpenter gave us a movie that, while certainly having fun with Chinese Mythology, also gives us a much better view of Asians than we'd previously seen. Yes, there's chinese magic and Kung Fu. The film is very clearly aiming for B-movie siliness (The director's commentary with John Carpenter and Kurt Russell confirms this)but, within that context we get Characters like Uncle Chu and Eddie. They both work at Wang Chi's Restaurant, and niether of them knows kung fu or magic. Eddie is an everyman. He's easy going, shy around the ladies, and is the kind of guy you'd love to be friends with. Uncle Chu is a grandfatherly type who knows the old chinese legends the same way any other elderly relative might know the folk stories of their culture.
The movie also has a lot of fun directly challenging stereotypes. Most of the Asian Actors speak perfect English, know how to drive, and are sexual beings. Egg Shen is a very capable bus driver (he successfully dodges the Pork Chop Express as it barrels at him going the wrong way on a one way street). The movie's plot revolves around Wang Chi's quest to rescue his fiancee. Wang Chi (Dennis Dun) is the hero and romantic lead of the story. He's the one who gets the girl in the end, and gets to make out with her. Quick, How many American movies can you name where the hero is an Asian Male who wins the love of his girl and they get to kiss at the end and live happily ever after? I can't think of any.
2. Kurt Russell's Jack Burton - This is my Favorite Kurt Russell performance of all time. He is the Star of the movie, but not the hero. He is setup in the prologue scene with Victor Wong to be a great man, then we quickly cut to a dirty truck driver, sloppily eating a sandwich as he pontificates about his greatness over his CB radio. This is 1986, the time of Rambo and Schwarzenegger and Indiana Jones. Jack Burton is a schlub. He's dirty, gross, rude, and has the casual arrogance and racism of an 80's All-American male. He fails to do a single thing right in the whole movie until the very end. And even then, his lone act of competence was "all in the reflexes." Jack's presence in the film serves at every turn to elevate the dignity and reality of the other Characters. His failures serve to contrast the lives the Asian Characters. Uncle Chu is a Chef, Eddie is a Matre D', Wang owns his own restaurant, and Egg Shen is a bus driver who also happens to own a whole block of real estate in San Francisco's China Town. These are very successful people, living out the American dream, and Jack Burton is just along for the ride. The humor in the movie is in his failure to understand that he is not in control. He assumes he should know what's going on. He's a white male in America. How could he be out of his depth? But he is. His one positive trait is his loyalty to his friend Wang Chi. When he's not trying deal with the magic and silliness of the movie, Jack treats Wang as his equal, and the movie doesn't draw attention to it. They are friends, they respect each other, and not much is said about it. It's the casualness of this friendship that really stands out when you look at other buddy friendships involving asian characters. Usually, the American (Chris Tucker, Owen Wilson, or whoever else is playing oposite Jackie Chan) has to grow to respect the Asian Character throughout the course of the film, and the Asian actor (usually Jackie Chan) is playing a variation on the noble savage stereotype. Not so here, Wang is already a successful, charming American bussiness owner when we meet him, and Jack is his sidekick. Wang likes Jack for his boistrous, outspoken nature, and Jack admires Wang's success. The race of the characters only matter because of the plot.
3. The plot. This movie is a great example of building a crazy story from the simplest beginning. Jack drives into Chinatown to make a delivery and stays for a night of gambling. Wang Chi, nervous about picking his fiancee up at the airport, joins the party. In the morning, Jack has won big and Wang wants to make a double or nothing bet and loses. Jack, ever the classy guy, gives wang a lift to the airport so he can make sure he gets his money. Then there's a kidnapping, kung fu battles, magic, mystical warriors, ghosts, monsters, and a young Kim Catrall. It goes to so many crazy places, but always maintains a sense of fun. I can't understand watching this movie without a smile on your face. The fights are awesomely staged and shot. (James Lew, the fight choreographer, would go on to work with pretty much every martial arts star ever) The alley way stand off between the Wing Kong and Chang Sings followed by the Arrival of the Three Storms is still one of my favorite actions scenes. It's a combination of martial arts and back alley brawling, all shot in a way that you can clearly follow the action, and the Three Storms have my vote for best villain entrance. I'd try to describe it, but it sounds way less cool in print.
4. Cast and Characters - First of all, this cast is amazing. If you love action movies, especially martial arts movies, you will spend about every five minutes going, "Hey, it's that guy! From that thing!" It's a who's who of Asian Character actors, stunt men and choreographers. James Hong, Victor Wong, James Lew, Donald Li, Chao Li Chi, Al Leoung, and many others. James Hong in particular gives an inspired performance as the villain Lo Pan. Hong effortlessly shifts from creepy to crazy to funny all while maintaining the integrety of the character. His fight with Egg Shen is the most WTF moment in the film, in a good way. It's just Awesome.
5. WTF? Lastly, this movie is filled with WTF moments that showcase just how much fun the movie is. Eyeball Monsters, Videogame battles, exploding men, and Kate Burton delivering my favorite line of ridiculous exposition ever with a straight face. "You mean THE David Lo Pan, the chairman of the national orient bank and the owner of the Wing Cong import export trading company? But who's so reclusive, that nobody's even laid eyes on the guy in years?!" Yes, that David Lo Pan.
Thanks for reading. Now I have room in my brain for a new post.
Subscribe to:
Comments (Atom)